De Volkskrant, 2023
Cover illustration and inside illustration for ‘V’ magazine in De Volkskrant. About Modern Art in the Netherlands. Text by Rutger Pontzen. May 14, 2023.
AD: Elki Boerdam
Hidden Gallery, 2022
Collaboration with Emmi Salonen on the Hidden Gallery catalogue (2022). Illustration about the lithography process.
Boston University School of Public Health magazine, 2022
3/10 illustrations about ‘Climate, the planet, and health’, ‘Cities and health’, ‘Mental and behavioral health’, ‘Health inequities’ and ‘Infectious diseases’.
AD: Susan Prentiss
Fidèle, 2023
4-color A3 Riso print “Le jeu de l’oie”, printed and published by Fidèle in Paris. Risographed with yellow, red, blue and black in a limited edition.
Part of L'inédite, a collection published by Fidèle in which they invite various artists to produce a personal image calling on their current practice, their work process in progress, or simply their news. Identity designed by Jean-Philippe Bretin
“Le jeu de l’oie” is available on the web shop of Fidèle.
Personal work - Playground installation study I, 2023
The New Yorker, 2022
Printed illustration for The New Yorker Magazine. Accompanying a review of the new opera “The Hours” at the Met. Adapted from Michael Cunningham’s acclaimed novel, The Hours was inspired by Virginia Woolf’s Mrs. Dalloway and made a household name by the Oscar-winning 2002 film version starring Meryl Streep, Julianne Moore, and Nicole Kidman.
AD: Alexandra Zsigmond
The New York Review of Books, 2022
Conceptual illustration for The New York Review of Books, reviews of the two novels The Immortal King Rao by Vauhini Vara and The Candy House by Jennifer Egan. Set in the near-future about technology and narrative imagination, written by Mark O'Connell.
De Volkskrant, 2022
Illustration for De Volkskrant accompanying an essay about the movie “Rimini” directed by Ulrich Seidl, written by Arnon Grunberg.
AD: Latoya van der Meeren
De Standaard, 2022
Cover Illustration for De Standaard der Letteren about the body. Layers, years and reflections.
AD: Jozefien Van Beek